書房主調(diào)滲入了黑色，讓兩種極端的色彩糅合，標(biāo)識(shí)區(qū)域的特殊性，增加沉穩(wěn)的理智感，又簡(jiǎn)練大氣，不會(huì)打擾思考，或者創(chuàng)作時(shí)的氛圍。

With black infiltrating into the main tone of the study, the two extreme colors mix, to mark the special zone and add a sense of calm rationality. The simple and elegant design will not disturb thinking or the atmosphere of creation.

而白色形式的反復(fù)，也并沒有增加視覺的疲性，解構(gòu)主義的手法，在視覺上形成綿延性，并輔之材質(zhì)上的輕盈、空透，塑造出無界的維度。

The repetition of white in form does not increase visual fatigue either, and the technique of deconstruction extends the space visually, coupled with light and transparent texture, creating borderless dimensions.  

因此當(dāng)一家人或者三五好友聚在一起的時(shí)候，在完全開放的平臺(tái)上產(chǎn)生能量共振，室內(nèi)設(shè)計(jì)師即便在各自忙各自的事情，也十分洽和，而且可以隨時(shí)交流互動(dòng)，閑散逸趣，盛放真實(shí)，這就是“我們所尋找到的島嶼”

Therefore, when a family or several friends get together, they can generate resonance of energy on the fully open platform, getting along very well even though busy with their own business, and communicating and interacting at any time. Relaxing and interesting, open and real, this is “the island we look for”.

扶梯而上，流動(dòng)的曲面，回應(yīng)無限的自由和遐想，極具雕塑感的設(shè)計(jì)，不僅解決了維度的局限性，室內(nèi)設(shè)計(jì)師也鏈接著建筑美學(xué)的詩意和生活，隨著距離和時(shí)間的改變，光影也隨之變幻，然后，遇見……

strong sense of sculpture not only settles the limitation of dimensions, but also links the poetic charm of architectural aesthetics and life. With changes in distance and time, light and shadow also vary and then there is an encounter…