顛覆與傳承即相融又對立；

設(shè)計(jì)師希望用全新的空間組織形式賦予品牌新的姿態(tài)，又要考慮品牌在消費(fèi)者中的識(shí)別度與記憶點(diǎn)。經(jīng)過權(quán)衡與業(yè)主方的支持，在空間裝飾形態(tài)上保留CARMEN︱女人花︱元素為品牌記憶傳承點(diǎn)回首CARMEN故事;

Subversion and inheritance are the same and opposite;

The designer hopes to give the brand a new attitude with a new spatial organization form, and also consider the recognition and memory points of the brand among consumers. After weighing the support with the owner, the CARMEN-woman flower-element is reserved for the brand's memory heritage.

為了在空間里達(dá)到視覺上新的認(rèn)知驚喜與商業(yè)趣味性，在天花局部使用鏡面金屬，在橫向與豎向的空間達(dá)到延伸與折變，獲得新的視覺體驗(yàn)；

鏡面本意就是“存在”與“消除“的矛盾關(guān)系，設(shè)計(jì)師希望用這種矛盾關(guān)系在空間做一種碰撞與解脫，在空間里面既能無言又能訴說。

In order to achieve visually new cognitive surprises and commercial interest in space, mirror metal is used locally in the smallpox to extend and transform in the horizontal and vertical spaces to obtain a new visual experience;

The mirror's original intention is the contradiction between "existence" and "elimination". The designer hopes to use this contradictory relationship to make a collision and liberation in space, and it can be said without words and in space.

圓，是親近也是焦點(diǎn)，能取中庸之意，在極端中不失衡，

圓形藝術(shù)裝置融合、平衡人與人之間的焦慮、排斥，人與空間之間的冷漠、距離；

The circle is close to the focus, it can take the middle sense, and it is not unbalanced in the extreme.

The circular art installation integrates and balances the anxiety and rejection between people and the indifference and distance between people and space;