《桃花源記》的重點(diǎn)是“不知有漢,無論魏晉”。我們室內(nèi)設(shè)計(jì)延續(xù)“世外桃源”的意境,酒店平面設(shè)計(jì)曲徑通幽、歩移景換,在狹窄靜謐的入口玄關(guān)等待徐徐平移打開的酒店大門,同時(shí)也是在等待一曲抑揚(yáng)頓挫的優(yōu)雅的酒店“水”故事樂章的開始。大門完全敞開后,展現(xiàn)給客人的是比玄關(guān)更高大和恢宏的酒店大廳,先抑后揚(yáng)的空間節(jié)奏,在這里得到了完美的體現(xiàn)。隨后呈現(xiàn)給客人的是受宋朝范寬《溪山行旅圖》氣勢(shì)磅礴構(gòu)圖啟發(fā)的服務(wù)臺(tái)背景。酒店大門正對(duì)面是一個(gè)屏風(fēng),隔而不斷,承前啟后,在交通中心的大堂僅一線之隔就創(chuàng)造出一個(gè)安靜、酒店設(shè)計(jì)優(yōu)雅的大堂吧休閑社交空間。像中國(guó)園林一樣充滿了變化和驚喜。酒店室內(nèi)用材分區(qū)明確、整體,用材冷暖恰當(dāng),和諧統(tǒng)一。保持獨(dú)特的風(fēng)格,鮮明的水主題,優(yōu)雅祥和的氛圍,力求在每個(gè)客人內(nèi)心中創(chuàng)造一個(gè)世外桃源,并且,可行,可望,可居,可游。
The interior design continues the artistic conception of paradise. The plane design of the hotel is winding and moving. In the narrow and quiet entrance, we are waiting for the hotel gate to be opened slowly. At the same time, we are waiting for the beginning of an elegant hotel "water" story movement. After the door is fully opened, the lobby of the hotel, which is larger and magnificent than the entrance, is shown to the guests. The rhythm of the space that descends first and then rises is perfectly embodied here. Opposite the hotel entrance is a screen, connecting the past and the future, creating a quiet and elegant lobby bar for leisure and social space in the lobby of the transportation center. It is full of changes and surprises like a Chinese garden. The interior materials used in the hotel are clearly divided and integrated, and the materials used are suitable for heating and cooling, and are harmonious and unified. Designers maintain a unique style, a distinctive water theme, and an elegant and peaceful atmosphere, and strive to create a paradise in each guest's heart. It is feasible, promising, habitable, and accessible.
我們做酒店設(shè)計(jì)的初衷:整個(gè)酒店所有的造型的出現(xiàn),都是對(duì)整個(gè)室內(nèi)設(shè)計(jì)的總結(jié),但是我們?yōu)槭裁匆プ鲞@個(gè)造型,不僅是為了描述空間,酒店設(shè)計(jì)也不僅僅是營(yíng)造水主題,更關(guān)注客人置身不同的位置產(chǎn)生的心理變化,讓焦慮的客人安靜,情緒低落的客人看到希望,每一位客人內(nèi)心在變化中獲得快樂,喚起其內(nèi)心美好的善念,這才是我們酒店空間“水”故事設(shè)計(jì)的終極追求。
The designer pays attention to the psychological changes of the guests when they are in different positions. We hope to let anxious guests be quiet, and depressed guests can see hope, be happy in their hearts, and arouse everyone's good benevolence. This is the pursuit of our hotel space "water" story design.
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