▲大堂、中轉(zhuǎn)區(qū)Lobby, transfer area

養(yǎng)生店設計構(gòu)架不僅是作為主景的裝飾，更是貫穿始終的設計語言。過道利用挑高的優(yōu)勢，將構(gòu)架結(jié)構(gòu)在整個空間中進行延伸，把熱帶的溫暖，帶進悠長的空間里。

The frame is not only the decoration of the main scene,It is the design language that runs through it.The aisle takes advantage of the height,extend the frame structure throughout the space,bring the warmth of the tropics into a long space.

▲過道小景Aisle scene

▼ 04

絢爛暹羅

Gorgeous Siam

東南亞的馬賽克文化，一說是由中國傳入。相傳，海運貿(mào)易產(chǎn)生了大量名貴卻無用的碎瓷片，聰明的勞動人民將它們收集起來，新的藝術(shù)形態(tài)由此誕生。

The mosaic culture of Southeast Asia is said to have been introduced from China.According to legend, the maritime trade produced a large number of valuable but useless broken pieces of porcelain.The wise working people collected them,new art form was born.

▲質(zhì)與色Quality and color

馬賽克小巧、造型多變且顏色豐富在燈光的照射下，自有一番色彩的變幻。養(yǎng)生店設計當它成為了空間語言的一部分，硬質(zhì)的構(gòu)架被色彩柔化，成了獨有韻味的敘事詩。

Mosaic is small, changeable in shape and rich in color,under the illumination of light,it has its own color change.When it becomes part of the spatial language,the rigid frame is softened by color,into a unique narrative poem.