Yohji Yamamoto noted Perfection is ugly. He wanted to see Flaw, Failure, Mess, and Distortion in the mistakes of humans made. Perfection is the manifestation of order and harmony, the result of coercive force. Free people would not expect such a thing. Therefore, he believed that most women do not admire freedom, those who pursued symmetrical clothes. The broken pillars and the original strength of sand make fabric more soft and fragile. This strong contrast makes the space full of drama.

“零售空間的多元語境”

/Multiple Contexts of Retail Space

購買一件商品的意義遠不止于物質(zhì)層面上的獲得與擁有，這其中更是蘊藏著某種精神性，映射出人們對于某一時刻，某一地域，某一種生活方式等等的欲望與向往。我們希望空間是多元開放的語境，讓人們可以更多的了解自己和外部世界之間的關(guān)系。在藝術(shù)館里用戶不購買東西也沒有關(guān)系，即便是坐下來喝一杯咖啡聊聊天，看看收藏的一些雜志，藝術(shù)品等也可以。凱莉莫斯設(shè)計師品牌藝術(shù)館設(shè)計只有保證空間的這種“開放性”，才能夠為社交的即興屬性和其他形式的好奇心留有空白。

The meaning of buying a commodity is far beyond material acquisition and possession. It also contains some spirituality, reflecting people's desire and yearning for a certain moment, a certain region, a certain way of life and so on. We hope that space is a pluralistic and open context, so that people can know more about the relationship between themselves and the outside world. It doesn't matter that users don't buy anything in an art museum, even though they just sit down, have a cup of coffee, chat with each other, or look at the collection of magazines and arts, etc. Only by ensuring this ‘openness’ of the space can there be room for the improvisational social interaction and other forms of curiosity.

為確保到訪者每天或者每周到藝術(shù)館有新鮮感和興趣，品牌主理人凱莉每天都在藝術(shù)館探索生活美學。人與人之間的創(chuàng)造性相遇”，由此，在多重語境的融合之中，新的文化活動形式也在這里不斷誕生。設(shè)計和經(jīng)營是不可分割的，設(shè)計從交付以后，美的價值才開始發(fā)揮真正的作用，我們希望空間中的設(shè)計是可持續(xù)性和被創(chuàng)造的。