從書房的實(shí)木地板到盥洗區(qū)域的木色柜體，以木系色彩聯(lián)結(jié)兩個(gè)空間，使空間自由對(duì)話，再以不同柜體的形式變化去暗示空間機(jī)能的不同，沒有繁復(fù)的線條，現(xiàn)代簡(jiǎn)約的柜子在各自空間中演繹著至關(guān)重要的空間收納角色。

From the real wood floor of the study to the wooden cabinet of wash one's hands and face area put oneself in another's position, join two Spaces with wooden fastening colour, make the space freedom dialogue, change with the form of different cabinet put oneself in another to suggest dimensional function is different, do not have the line of heavy and complicated, contemporary and contracted cabinet is deducing the space that is crucial in respective space receive a role.

/ 主臥空間 /

我們追尋空間誕生的本質(zhì)，以最純粹的設(shè)計(jì)角度去組構(gòu)空間，注重空間的串聯(lián)功能。以明朗的柔黃色為主，米灰色為輔的色系，塑造出干凈歡快的空間格調(diào)，達(dá)到“簡(jiǎn)約風(fēng)也可以活力俏皮”的裝飾效果。

We pursue the nature of the birth of space, to the most pure design perspective to fabric space, pay attention to the function of spatial series.With anacreontic mix yellow is given priority to, the color that rice gray is auxiliary is fastened, model gives clean and cheerful space style, achieve "contracted wind also can vigor is nifty" adornment effect.

如同日本設(shè)計(jì)大師原研哉所言“諸如一只打破的雞蛋蛋黃之澄澄金黃，或是一盞茶杯中滿盈的茶水，都不只是顏色。它們其實(shí)是在一種更深的層次上，帶著其物質(zhì)本性中所固有的屬性，諸如質(zhì)感與味道等一起被看到，人們是通過這些元素的組合看到顏色的?！?

As Japanese design master Kenya hara said: "the color of a broken egg yolk, or a cup full of tea, is not just color. They are actually seen at a deeper level, with attributes inherent in their physical nature, such as texture and taste, through the combination of these elements.

/ 次臥空間 /

次臥空間正是在這種不為形式所拘束的構(gòu)思下，以明朗自然的藝術(shù)裝設(shè)，搭配無形主義的掛畫，在輕盈的氛圍中，屏住一絲穩(wěn)重成熟的氣息，營(yíng)造出一個(gè)時(shí)尚舒適的高品位藝術(shù)空間，詮釋出原研哉所述“現(xiàn)代主義本身帶有的孤獨(dú)”，以及不追求形式反使人越發(fā)轉(zhuǎn)向內(nèi)在，悠然生出純粹的快樂。

Is where the second lie space to form idea of restraint, in order to clear natural art installed, collocation of intangible hang a picture, in an atmosphere of lightness, hold a sedate mature flavor, create a fashion and comfortable high quality art space, reflecting the original zai described "modernism itself with loneliness", and not the pursuit of form makes one more turn inward, carefree pure happiness.

/ 軟裝及飾品精選 /

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