其次，展廳設(shè)計(jì)在軟裝的選擇上我們摒棄了統(tǒng)一風(fēng)格產(chǎn)品扎堆的處理方式。而是以一個(gè)買手的姿態(tài)去挑選適合的家具產(chǎn)品。從Franco的Tre pezzi扶手椅，到Jean Royere的大白熊，再到當(dāng)代傳奇設(shè)計(jì)師Philippe Starck的經(jīng)典三足椅。無一不是向經(jīng)典致敬。而flos的燈具與cc-tapis的地毯則是當(dāng)下產(chǎn)品設(shè)計(jì)中的典范。我們將其整合在一起，在這個(gè)既沖突又奇妙的空間里，趣味橫生。

Secondly, in the choice of soft outfit, we abandoned products with unified and popular style.But to a buyer's attitude to choose suitable furniture products.

From Franco's Tre Pezzi to Jean Royere's Polar-bear to the legendary contemporary designer Philippe Starck's classic Costes Chair.

All are salutes to the classics. Flos lamps and CC-Tapis carpets are examples of current product design. We put it all together, and it's interesting in this conflicted and wonderful space.